If you ask any Disney Parks aficionado to list the things he or she loves about the parks, attention to detail and theming will undoubtedly be mentioned. For me, the music loops that play in background of the various lands and ride queues are my favorite part of Disney theming. Nothing can transport me to a particular place in time like music, and playing some music from Disney parks is always a sure fire way to brighten my day. I am lucky enough to have procured many complete Disney music loops over the years. In the age of the Internet, Disney music is always at your fingertips. Many loops have been uploaded to YouTube, and for those of you always on the go, Mouse World Radio has a nice little app for your mobile device that plays both area music and attraction audio.
I obtained most of my collection about 10 years or so ago from websites that no longer exist (though I’m sure more are out there and could be located with some clever googling). The files were only labeled as things like MainSt_BGM (background music) so it took some sleuthing to figure out any songs or artists I was unfamiliar with. I came to rely heavily on Disney Music Loops. The site has not been maintained for over a decade but is still accessible. Over the years I’ve purchased a lot of additional music from many of the artists I first discovered through the listings on Disney Music Loops. Park Tunes is another site that has a decent collection of listings, but some of the song loops are not listed in the proper order, and while they provide links to purchase music through iTunes and Amazon, they do not always link to the correct version of the song used in the loop. (FYI:Disney does update their loops every so often, so some of the versions that I’ll be exploring in this series may be outdated.)
The first music loop I wish to discuss is from the Twilight Zone Tower of Terror queue. I cannot even fathom a guess as to how many times I’ve listened to this loop in its entirety. It is my go-to background music. I put it on when I’m doing household chores. In my college/graduate student days I’d play it while writing my papers. I even burned it to a CD so I could listen to it in my old car. I can’t quite put my finger on what exactly it was that first drew me to this music, because even though I take pride in my eclectic music collection, I was not familiar with a single song in this loop. Maybe it’s my appreciation for a good trumpet solo. Maybe it’s because I love old Hollywood, and thanks to the ride, I now associate this sound with it. I don’t know, but it makes me feel a sense of nostalgia, which is pretty odd considering I was born in the ’80s, thus I clearly did not live through the 1930s and have nothing to actually be nostalgic about. Perhaps I am a reincarnated Hollywood starlet, who knows? What I do know is I love this music! Clocking in at just over an hour, the entire loop includes 20 songs. To keep things interesting and manageable, I’m only focusing on 5 songs at a time. (Side note: I chose to embed most of the videos from a Tower of Terror playlist on YouTube for continuity, and because they seem to all have the “echo” effect on them that you hear in the queue.)
“Can’t Get Started”- Bunny Berigan
This is the song that opens the loop and its memorable trumpet solo makes it a perfect entrée for the ambiance that the music loop intends to set. “I Can’t Get Started” made its debut in the musical revue Ziegfeld Follies of 1936, with lyrics by Ira Gershwin and music by Vernon Duke. Bunny Berigan, a trumpet virtuoso, made it a top 10 hit in 1937. The lyrics are very specific to the time period, but that’s part of what makes it perfect for setting the mood.
“I’ve been consulted by Franklin D.
Greta Garbo has had me to tea
Still I’m broken hearted
Cause I can’t get started with you!”
My obsession with this song is what first led me down the rabbit hole of tracking down artists featured in music loops. Disney Music Loops incorrectly lists the artist as “Benny” Berigan, but through the power of Google (and before the era of YouTube), I was eventually able to find my guy. I purchased “Let’s Do It!” through iTunes. The album is fantastic, and includes “Can’t Get Started.” Needless to say, I highly recommend it.
“Mood Indigo”- Duke Ellington
This was one of the earliest hits for legendary composer and band leader Duke Ellington. The song was built around a clarinet solo. In most musical arrangements, it was typical for the clarinet to handle the highest notes, followed by trumpet and then trombone; however, in “Mood Indigo” the order is reversed and the horns are muted, creating a unique and melodious yet eerie sound—the perfect sound for a haunted hotel. The song was also given lyrics and has had a wide variation of interpretations, but in my opinion, the original instrumental reigns supreme. There are so many different versions of this song that I’ve had trouble locating the exact version they used in the loop for purchase. The version on “Best of Duke Ellington” is pretty good, but it includes different variations than the version in the loop. If anyone knows where to procure the exact version and would care to share, I’d appreciate it!
Red specialized in the xylophone, marimba, and vibraphone. This is an instrumental version of a 1925 Irving Berlin song. There are nice vocal versions out there from the great balladeers like Andy Williams and Frank Sinatra, but I really appreciate this instrumental. It isn’t often that the xylophone, vibraphone, and/or marimba are highlighted through solos. The song is available for purchase on iTunes and is part of many different blues/jazz compilations.
Bonus! You can see Red in action backing up Dean Martin on “Ain’t That a Kick in the Head” from the Original Ocean’s 11. Dino even gives Red a shout out!
“Uptown Blues”-Jimmie Lunceford
James Melvin “Jimmie” Lunceford was a saxophone player and bandleader who died at the age of 45 under suspicious circumstances. The cause of death was cardiac arrest, but allegations were made that a racist restaurant owner may have poisoned his food. Other band members who ate at the same restaurant also became sick shortly after completing their meals. Jimmie and his band received high praise from many contemporaries, including Benny Goodman, who once said he put on a better show than Duke Ellington. Lunceford’s live shows live on in legend as having been quite a spectacle, and many have said that the band’s soul was never adequately captured on record–the latter of which I’m inclined to agree with. iTunes has a compilation of Lunceford’s music called “Powerhouse Swing,” and while all the songs are pleasant and could fit right in to this music loop, none of them are particularly memorable in my opinion.
“Deep Purple”- Larry Clinton and His Orchestra with Bea Wain
The original song was a piano tune written by Peter DeRose. So far, I’ve been praising instrumental versions of songs over their vocal counterparts, but in the case of “Deep Purple” I really think the lyrics and vocals enhance the piece and are well suited to the eeriness of the queue:
“When the deep purple falls over sleepy garden walls
And the stars begin to flicker in the sky
Through the mist of a memory you wander back to me
Breathing my name with a sigh
In the still of the night once again I hold you tight
Though you’re gone, your love lives on when moonlight beams
And as long as my heart will beat, lover we’ll always meet
Here in my deep purple dreams”
There is some dispute over which version is actually used in the loop. A few sites list Turner Layton, and this is the version included in the YouTube playlist I’ve been linking to; however, this is NOT the version that is in my copy of the loop. I’ve also seen some sites link to the version by Artie Shaw featuring Helen Forrest, but that upbeat interpretation is actually featured on the Jungle Cruise Boathouse Loop, not Tower of Terror’s. After some painstaking research (I’m not kidding, this blog got held up for a few days while I tried to solve this mystery), I’ve identified the version by Larry Clinton and His Orchestra with Bea Wain as the one I’ve been listening to all these years, so I wanted to give them proper credit. Clinton was an accomplished musician and bandleader, and made a name with his arrangements for dance bands. His arrangements were used by the likes of Tommy and Jimmy Dorsey, Louis Armstrong, and the aforementioned Bunny Berigan. Bea Wain was a popular big band singer who had four #1 hits (of which “Deep Purple” was one).
This is a wonderful song no matter who is performing it. It is very possible that Disney has switched out the version over the years. Next time you are in the queue, maybe you can hang around and listen for me!
Be sure to check back later this week for Part 2 of Disney Music Loops: Tower of Terror.
I mentioned in last week’s Muppet Monday post that The Muppet Show was my introduction to a plethora of great music. With the lovely weather we’ve been having in our area lately, I was reminded of another one of those songs that I first heard via The Muppet Show: “Blue Skies.”
The Irving Berlin tune was penned in 1926 for Betsy, a Rodgers and Hart musical. The musical was a flop, but the song was a smashing success. It became the first song ever to be heard in a “talkie,” when Al Jolson performed it in The Jazz Singer. It has been covered by anyone and everyone over the past 88 years. Of course, no one will ever be able to touch the snappy and harmonious version performed by these adorable prairie dogs on episode 322 of The Muppet Show:
Wishing everyone Blue Skies from now on!
The last new episode of The Muppet Show may have aired over 30 years ago, but thanks to the wonders of VHS and cable TV, children growing up in the ‘80s and ‘90s still got to enjoy Muppets gracing their living room screens. As a kid, I spent countless hours in front of the TV watching best-of compilations and Muppet specials that my mom or grandfather taped for my brother and me. I also caught episodes as they aired in syndication over the years on TNT, Nickelodeon, and the Odyssey Channel (though sadly the show hasn’t been on TV since 2001). In addition to syndication, Time-Life released a number of Best-of DVDs, featuring 3 episodes a piece, and Disney has released seasons 1-3 on DVD (though Seasons 4 and 5 are mysteriously still in the vault). Thankfully we live in the age of YouTube and many nice people have uploaded their copies of the episodes for our viewing pleasure.
Somewhere along the line, Muppets got a reputation for being childish and cutesy. Sure, most of the puppets are downright adorable, which is certainly what first grabbed my attention as a child, but adulthood has given me a whole new appreciation for the wonderful but WEIRD entertainment that Jim Henson and his fellow performers gave us with The Muppet Show.
Here are 10 of the weirdest sketches that have stuck with me for one reason or another through the years:
This sketch’s simplicity is its best asset, and it seems to have been a favorite of Jim’s, as it was also performed over the years on The Ed Sullivan Show, The Today Show, and The Tonight Show in addition to its performance on The Muppet Show. It features a bendy, tubular puppet dancing in rhythm to jaunty trumpet music, but the puppet becomes frustrated by a smaller variation of itself, who can’t calm down and stay in rhythm. The larger puppet continuously kicks the smaller one out of the frame. Just as you start to feel bad for the little guy, he brings the sketch to a rousing close by blasting his larger counterpart away. As Henson himself once said, “It all ends in one of two ways: either someone gets eaten or something blows up.” We’ll see some more of that theme in this list…
2. Hugga Wugga
Talk about bizarre. This sketch, set in a steamy, swamp-like environment, begins with a mean-looking alien marching around like he owns the place, singing his Hugga Wugga song, which sounds like a war chant. A second alien appears and sings a different song until he is bullied into singing the Hugga Wugga song by the first alien. Suddenly a third alien appears—a cute, yellow creature, who completely changes the tone by singing a sweet version of “You Are My Sunshine.” He refuses to be intimidated and taunts the first alien, who eventually blasts his head off! But that is not the end of our little yellow guy! The seemingly headless alien continues to sing his song, perplexing the bully, who ends up getting blown away himself in the end. Our yellow friend proudly finishes his song-“Do not take my sunshine away”– providing yet another win for the little guy. To this day whenever I hear “You Are My Sunshine” I picture that yellow guy. Fun fact-The yellow creature makes a cameo appearance in Muppets Most Wanted as the “thingy-thing” that Constantine gives to Miss Piggy in “I’ll Get You What You Want (Cockatoo in Malibu).”
This Muppety take on Lewis Carroll’s nonsense poem is just as weird to me now as it ever was. “Have you SEEN the scene? Even when you know what it is, you don’t know what it is!”
That about sums it up, thanks Scooter. Burble burble.
5. I’ve Got You Under My Skin
The Muppet Show loved putting weird twists on old standards. In this sketch, the Cole Porter tune that Frank Sinatra made famous becomes a duet between Behemoth (Who now goes by the name of Gene) and his still-living lunch, who is trying desperately to fight his way out. This sketch really creeped me out as a kid. It kind of still does.
6. Mahna Mahna
This is one of the most popular sketches associated with the Muppets, but it’s definitely weird. Like “Java,” it was performed on other programs both before and after it appeared on The Muppet Show. In a theme somewhat reminiscent of the Java sketch, the Mahna Mahna Muppet is expected to stay calm and do his part in backing up the cutesy pink Snowths as they do-do-do-do-do along. Whenever he tries to improvise, they give him the glare of death until he calms down. I’m sure many significant others who have been on the receiving end of a death stare can sympathize. Mahna Mahna gets the last laugh as he leaves the stage and exits the building, then puts a call in to Kermit, who brings the phone out to the stage, which allows our fuzzy pal to utter one final “Mahna Mahna.” Many people mistakenly believe that this catchy tune is an original Muppet song, but (and here’s where it gets even weirder) it actually debuted in a “pseudo-documentary” about wild sexual behavior in Sweden. The song accompanies a sauna scene in the movie. Here’s a safe-for-work excerpt: Now you will probably never hear that song the same way again.
Rowlf the Dog gets uptight Sam the Eagle to participate in this song, under the guise that it is cultural because it’s from Gilbert and Sullivan’s light opera, The Mikado. Rowlf performs most of the song while Sam plays the role of “Dickey Bird” and must repeatedly say “willow… tit willow…tit willow.” Sam feels increasingly awkward about it, but never quite gets the joke and ends by asking, “Why are they laughing at me?” All Rowlf can do is cover his face as he giggles. Cheeky! The song actually made it onto The Muppet Show soundtrack, which I had in cassette form and listened to all the time as kid. I didn’t get what was funny about it then and found the song boring, so I usually fast forwarded the tape to something else. I’m glad I’ve rediscovered this strange and silly clip, and that is part of what makes The Muppet Show even better as an adult. I love discovering gags I didn’t understand as a child, and finding new meanings in sketches.
8. All of Me
Another wacky interpretation of a standard. The character who sings the song literally takes all of his parts off of his body one by one, handing them over to his lover, who giddily enjoys stuffing them in a box until there is nothing left to give except the shell of his body. So of course, he jumps into the trunk as she seals ALL OF HIM inside. Sure, it’s presented in a humorous manner, but adult-me sees an abusive, one-way relationship. We’re staring to get a little bit more serious here…
9. Windmills of Your Mind
As a kid, I found the “screaming thing” in this sketch strange, but also ridiculous and funny. As an adult, the simple act of watching this sketch now gets my anxiety revved up within the first 10 seconds. The Muppets took a haunting, Oscar-winning song and turned it into a frantic, psychotic plea for help. We start with the screaming thing telling us “I’m very relaxed. I’m terribly calm and tranquil, and very, very relaxed indeed…(cue fast music) ON THE OUTSIDE, BUT ON THE INSIDE…” and he proceeds to sing the song with ever increasing speed while his legs flail about and the world goes in circles around him until he crashes into an actual windmill. He starts shaking like he’s about to have a nervous breakdown and reassures us that on the outside, he is very calm—but then he screams and runs away and ends up flinging himself off of Statler and Waldorf’s balcony! Whoa dude.
10. Time in A Bottle
This was my first exposure to the Jim Croce classic (The Muppet Show was actually my introduction to many great tunes), and it has remained a favorite of mine over the years. As a kid, I liked the pretty yet haunting melody, but as I grew older I gained an appreciation for the longing and pain that the song invokes. In the sketch, a scientist sings the song as he makes and takes potions that make him increasingly younger, but he goes too far and returns to his older self in the end, because no matter how hard you try, you can’t save time in a bottle and you can’t recapture your youth. Sad!
I don’t want leave you on such a depressing note, so enjoy this bonus weird clip which features a scantily clad Raquel Welch doing a sexy dance with a giant spider. There are plenty more weird sketches in the Muppet catalog, so feel free to comment if you have a particular weird sketch that sticks in your mind.
If you grew up in the Delaware Valley, chances are you took a trip to the Philadelphia Zoo at some point in your life. Whether it was with your school, your summer day camp, or your family, a zoo trip was and still is a veritable rite of passage in this area. So, when was the last time you ventured over to the Philadelphia Zoo? My husband and I enjoy visiting the Philadelphia Zoo in the morning during a weekday, especially in the off-season. There is rarely a crowd, and the Zoo staff, eager for some for conversation, will talk to you for as long as you want. We have found most of the staff at the exhibits to be very friendly and knowledgeable. The Philly Zoo also has scheduled “Meet the Keeper” events throughout the day. Here are a few of our favorite animal shots from our most recent trip in March:
Aside from the animals, the thing I love most about The Philadelphia Zoo is its rich history. The Philly Zoo bills itself as “America’s First Zoo,” which is true on a technicality. The Zoological Society of Philadelphia was chartered on March 21, 1859, though the actual grand opening did not occur until July 1, 1874.
The Philly Zoo has had many other “firsts” along the way. Some of their achievements include the addition of the first children’s zoo in the western hemisphere (1938), the first successful birth of an orangutan in a Unites States zoo (1928), and the first successful birth of a chimpanzee in United States zoo (1928). Another interesting tidbit is that Jackie (AKA LEO), the first MGM lion to roar in those famous opening credits, retired to the Philly Zoo in 1931. You can read more about Jackie/Leo’s incredible story at mentalfloss.com and see more of the Zoo’s accomplishments via their timeline.
If you really want a taste of what The Philadelphia Zoo was like during its earliest years, head on over to digitalhistory.com, where they’ve transcribed a fascinating analysis of the Zoo from an 1879 edition of The Harper’s New Monthly Magazine.The article is accompanied by some wonderful sketches.
The Philadelphia Zoo is both bolstered and hindered by its age. Many of the original buildings still stand, much to the delight of any historian or architectural enthusiast. In particular, the Victorian style gatehouses, designed by famed Philadelphia-area architect Frank Furness, are quite charming. The downside of being an old zoo is that the city grew and expanded all around it, leaving little room for the Zoo to expand. At this point, any new exhibit added comes at the cost of getting rid of an old one. So far, the Zoo has aptly met the challenge of keeping pace with changing societal views on zoos—sometimes voluntarily, and sometimes forcibly.
Tragedy struck the Philly Zoo on Christmas Eve, 1995, when the Primate House caught fire. The Zoo suffered the loss of 23 animals, all of which perished from smoke inhalation in their sleep. The casualties included a family of six lowland gorillas (one of which turned out to be pregnant), a family of three orangutans, four white-handed gibbons, and ten lemurs. Many corporations, individuals, and other zoos contributed funds in the wake of the tragedy, which led to the opening of the PECO Primate Reserve in 1999.
2006 saw the opening of the new $20-million exhibit, First Niagara Big Cat Falls. In this expansive area, visitors can view animals, such as lions, tigers, jaguars, and leopards, in exhibits that are more reminiscent of their natural habitats. The old big cat building was preserved as part of the exhibit.
One of the biggest controversies the Philadelphia Zoo has faced in recent years surrounds the elephants. The elephants have long been fan favorites at the Philly Zoo. At the main entrance, after your ticket is scanned, one of the first sights you are greeted with is a large elephant sculpture. For decades, the Philadelphia Zoo had audio storybooks at many of their exhibits, which could only be activated by a Zoo Key, shaped like an elephant. Alas, the storybooks are gone, and so are the elephants. After dealing with years of protests from animal rights groups, the Philadelphia Zoo decided that they could no longer meet the modern standards for keeping elephants in captivity, and sent their elephants onto greener pastures in other zoos across the nation. It was the right decision. Having seen the modern, expansive environments provided to elephants in zoos like The San Diego Zoo and The National Zoo in Washington DC, it is abundantly clear to me that the old Philly Zoo exhibit was severely outdated. Thankfully, they preserved the old elephant house as part of the new KidZooU exhibit which opened last year. The old children’s zoo area is currently vacant, and if you speak to the Zoo staff it is no secret that the Philly Zoo would one day love to have elephants back on their roster; however, they would definitely need to do a major overhaul of multiple areas—the old children’s zoo area will not suffice on its own.
The Zoo continues to make improvements and seek out innovative ways to enrich its visitors’ experiences. The latest improvement is the Zoo360 initiative, which provides enclosed walkways for various animals to explore outside of their exhibits and walk above the heads of the visitors. The Treetop Trail features monkeys and lemurs from the Rare Animal Conservation Center and the Great Ape Trail is connected to the Orangutan enclosure. Big Cat Crossing will be officially opening up May 10, featuring—you guessed it—big cats! We were told the Tigers would likely be the first animals encouraged the check out the crossing. I’ve seen some pictures floating around which show a tiger and a leopard separately enjoying the new pathway. We love this idea in concept; unfortunately, we have not yet had the pleasure of witnessing animals using the trails in person. Bad timing, I guess.
One last thing I’d like to note is the resurrection of the 6ABC Zoo Balloon. The Zoo Balloon fell victim to the particularly harsh winter we had this year, and had to be deflated and decommissioned. I took this picture of the old balloon on our last trip. Low and behold, later that very same day the Zoo announced that the balloon would “Soar Once More” and a new balloon was unveiled. I only got to ride in the balloon once, and it was not a particularly nice day; however, I’ve heard that on a clear day you can see all the way to the Jersey Shore. I would like to test the new balloon for myself this spring/summer if I can find a brave soul to go with me (my husband is afraid of heights and spent our one and only zoo balloon experience with his eyes closed, clutching onto the railing for dear life).
The Philadelphia Zoo offers wonderful experiences any time of the year, so a membership is very much worthwhile if you visit more than once a year. Here’s the breakdown: A one-day visit in-season costs $20 per adult and $18 per child. You will also need to pay $15 for parking. For a family of 3, one Zoo visit will set you back $73. A basic family membership, however, only costs $120 and would provide all 3 family members entrance to the park, free parking, and access to members-only areas and benefits. It pays for itself in two visits. Throw in another $40 bucks to get the Family Plus plan and you can bring Grandma and Grandpa along every time you go. You can check out more membership details here: http://www.philadelphiazoo.org/Get-Involved/Membership/Join-The-Zoo.htm
This overview of the Philadelphia Zoo, past and present, has only scratched the surface. In the future I hope to provide more history on the Zoo and explore its animal conservation efforts more thoroughly.